Wednesday, 25 January 2012
Thursday, 12 January 2012
Scents of India
There is radiant splendour and vibrant beauty to India
which Rafiee Ghani captures well in his latest exhibition – Perfumed Gardens,
at Galeri Chandan, Bukit Damansara, Kuala Lumpur.
Amidst russet forts, towering minarets, eggshell blue skies and the vermillion of northern saris, there is the vivid perfumed romance of all that is rich and stunning about Rafiee’s India.
Amidst russet forts, towering minarets, eggshell blue skies and the vermillion of northern saris, there is the vivid perfumed romance of all that is rich and stunning about Rafiee’s India.
Though the title ‘Perfumed Gardens’ is perhaps best
known from Sir Richard Francis Burton’s translation of the Arabic erotic
manual, it suits the vibrancy of Rafiee’s exhibition well. The wandering
visitor to Galeri Chandan becomes ‘perfumed’ with colour exuding from canvases
and watercolour papers throughout Rafiee’s stunning display. Those rich, lively,
visual, aromas permeate consciousness in an almost subliminal way, leaving the
visitor heady, intoxicated by their sheer beauty.
As you might expect - vermillion, cardinal, crimson,
cerise – the colours of India, dance and swirl from Rafiee’s paintings, often
counterbalanced by walls of blue, or simple Indian skies. Red in all its facets
presents as the bonding colour, uniting works throughout the well-spaced gallery.
Galeri Chandan’s unique architecture only enhances the exhibition. The visitor
is allowed a certain voyeurism when peeking through arches, around corners,
down staircases – like the small children we all secretly are, excited at the
next find in the treasure trail of that Perfumed Garden.
And it is an excitement. The journey that Galerie
Chandan and Rafiee Ghani take us on is a journey of spills and trills, a secret
journey bound in symbolism, closeness and distance, a voyage of re-discovery,
root finding and whole-making. India has that effect. Once sampled it is never
forgotten. Be it the bounce and brashness of Bollywood, or the dank misery of
Mira Nair’s Salaam Bombay, India gets into the blood like an incurable virus,
forges love/hate but it is never forgotten. Like Rafiee’s paintings, India
always calls, sometimes we heed that call, sometimes we simply listen and
reflect, surround ourselves with its hues and scents and recall the heat, the passion,
and the perfumes which linger in oh so many gardens.
Perfumed
Gardens - an exhibition by Rafiee Ghani;
at Galeri Chandan, Bukit Damansara, 9th
January – 3rd February 2012.
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